“Avatar” was one of the films that restarted a fad of 3-D cinematic releases, though you may not have actually seen it in 3-D: Many theaters didn’t yet have 3-D projection systems. Yes, it was shot with a 3-D camera system that gave Cameron an augmented-reality view in real time by integrating the live actors with computer-generated environments in the viewfinder. Reviewers focused as much - if not more - on the images as on the plot, both explaining and lauding the use of performance capture, which was then a newfangled innovation that had been most notably used for Gollum in Peter Jackson’s “Lord of the Rings” films. The visual effects in the film were a big deal, right? The film’s closing shot is of his eyes, waking up on Pandora. Jake, in love with Neytiri and having gained the trust of the Na’vi, chooses to transfer to his avatar form permanently. Quaritch almost kills Jake before Neytiri fatally shoots the colonel with two arrows to the chest. Miles Quaritch (Stephen Lang), the head of the security force for the group mining the unobtanium, destroys the Na’vi’s gathering place, Hometree, and kills many of them, Jake confronts him in his Na’vi form. He grapples with the ethics of what he is doing, which is complicated by the fact that he has fallen for one of the Na’vi women, Neytiri (Zoe Saldaña).Īfter Col. Power struggles ensue within the program about what is worth sacrificing to obtain the unobtanium, as well as the value of Na’vi life within the forest, as Jake tries to convince the Na’vi to accept him as one of their own and within Jake himself. The protagonist is Jake Sully (Sam Worthington), a paraplegic ex-Marine who replaces his identical twin brother in the Avatar Program after his death.
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